It’s always a bad sign when the first thing we see in a movie is the dictionary definition of the title. It’s bad because it assumes that we’re too ignorant to know what the word means — in this case, ‘acrimony,’ which I would say ranks lowish in the Hemingway-Faulkner scale —, and why would we want to watch a film that underestimates, sight unseen, our intelligence? Moreover, if writer/director Tyler Perry deems his chosen title to be so obscure that he had best not even risk giving us the benefit of the doubt, why didn’t he pick another, more accesible word — one that he feels is common ...