I don't need happy endings in my movies. A downer ending is often what makes a movie great. But I do like satisfactory ones. _It Comes at Night_ did not give that to me. Mystery is often its own reward, and I do believe that's what writer/director Trey Edward Shults was going for here, but it didn't wind up hit that resonant for me. This particular movie felt like it wasn't about the journey, it was about the destination, and we essentially didn't get one. Joel Edgerton is fantastic of course, but any one of the other actors could have been as well, we'll never know because they were never ...