Despite all the hype and plaudits, I don't think this film is as good as Paul Muni's 1932 iteration. That's not to say it isn't a good film, nor that Al Pacino doesn't turn in a good effort - it's that it is all so brash. The language and action has no subtlety or finesse to it. It glorifies violence - it's not just that it is a necessary evil in the world in which "Tony Montana" works, it just comes across as if there was nothing in the script and the film had to be padded out somehow - so let's shove in some more brutality. There is precious little sophistication with the characterisation ei...